Tamron DSLR Lenses Archives

Reviewed by Ben Lee, http://dslrlensesonline.com editor.

Tamron 18-270mm
Tamron 18-270mm

Buy from the Tamron 18-270mm review page at Amazon today!

The Tamron AF 18-270mm f/3.5-6.3 Di II VC LD Aspherical IF Macro Zoom Lens for Canon Digital SLR Cameras is the lens that currently holds the record for longest focal length range of any product on the market – with a staggering 15x zoom capability.

Image quality – Rating: ★★★½☆
Build quality – Rating: ★★★½☆
Ease of use – Rating: ★★★☆☆
Lens features – Rating: ★★★½☆
Value for money – Rating: ★★★½☆

On paper the raw figures are impressive to say the least, but does the Tamron deliver on more important attributes like image quality, sharpness and usability?

Unfortunately there is always a balancing act that has to be made – one awesome feature may come at the expense of 3 lesser known features. In other words, you can’t have it all and the Tamron 18-270 is no exception to this rule.

It suffers from questionable wide-open image quality and you really have no idea whether you are going to get a good copy of the lens until after you’ve bought it.

Tamron 18-270mm compromises

As I said earlier, every lens that is put into production has a weighted compromise and technology – things such as size, weight, price, focal length range, reliability, ergonomics, image quality, autofocus performance and build quality.

The Tamron lens has a decent overall image quality without being outstanding and image sharpness is equally as reasonable at f/8. However unlike a lot of other higher quality lenses, the sharpness won’t get any better by stopping down as you might expect.

It also has the obvious advantage of being versatile, and for some photographers this is a more important consideration than the nitty-gritty details about lens performance.

The 18-270mm is basically two lenses in one and is still smaller than the Canon 17-55mm IS – it just gives you that great flexibility whilst out in the field or during a vacation.

On the other hand, some of the things you will have to put up with are noticeable barrel distortion wide open as well as a sticky and cumbersome focus ring. Several people have commented that it can be hard to find infinity focus because there is such a small amount of play between the minimum focus distance and infinity.

In other words, there is hardly any turning of the focus ring on your part before you have covered the whole spectrum – which makes obtaining precise readings a hassle.

The auto-focus system is also clunky and quite noisy to say the least, and like it or not there can be quality control issues.

What others are saying about the Tamron 18-270 for Canon

Mary Jo Sminkey from Durham, NC had a philosophical approach to her appraisal of the lens. She basically says that it is never going to be as good as an L lens but it does have a place in the market and does serve a purpose even if the overall performance is not top-shelf:

I give the lens 5 stars, not because it takes the greatest photos you will ever see, but because it is the first super-zoom I have tried that performs good enough that I am willing to use it, as a best-in-its-class lens.

It’s a perfect lens in particular for any new DSLR owner that can’t afford to invest thousands in really high quality and/or multiple lenses, or for someone like me that is often limited in the equipment they can carry at one time.

The lack of smoothness in the zoom ring and the creep are the primary annoyances for me, but I’ve yet to use a long telephoto lens in this price range that doesn’t creep, so hard to be really tough on it for that.

I wouldn’t use it as my primary sports lens (my f/2.8 will do that job far better) nor as an architectural wide angle lens but for a general all-purpose casual lens, it’s got a great feature set and well worth considering.

Read the rest of this review here

Conclusion and Tamron 18-270 price

At the end of the day, I cannot say if the Tamron 18-270 is for you or not – I can only make recommendations based on the information that is at hand. The ultimate decision is yours.

Overall Rating: ★★★½☆

If you are excited about the super focal length range and have always wanted a lens like this, then I would be comfortable in saying that the 18-270 is a good enough piece of equipment to able to buy it based on this feature alone.

It is a great walkabout lens and as well as delivering admirable results, it will also save you weight and space in your camera bag. It will also save you money because it will negate the need for you to buy a second lens to make up for the shortfall in focal length coverage of your first lens. This is a true 2-in-1 package.\

Alternative options

If you are a more discerning photographer and you are prepared to give up 70mm of focal range then consider the Canon EF-S 18-200mm which in my opinion has a better compromise (there is that word again) between features and quality.

You may also wish to consider the Sigma 18-250mm which is more closely matched to the Tamron in focal range and has a better auto focus system. It is also a couple of hundred bucks cheaper.

Reviewed by Ben Lee, http://dslrlensesonline.com editor.

Tamron 28-75mm f2.8

Tamron 28-75mm f2.8

Buy the Tamron 28-75mm for half price at Amazon now!

Image quality – Rating: ★★★★☆
Build quality – Rating: ★★★☆☆
Ease of use – Rating: ★★★½☆
Lens features – Rating: ★★★☆☆
Value for money – Rating: ★★★★☆

The Tamron 28-75mm f/2.8 SP XR ZL Di LD Aspherical (IF) for Canon Digital SLR Cameras is an ideal lens for 1.6x FOVCF cameras and is known for its light weight, low minimum aperture and affordability - (just $459 on Amazon at the time of writing).

Now some of you may not be familiar with all of the abbreviations listed in the full name above – partly because there are so many but also because Tamron are relatively little known in the world of DSLR lenses. However don’t assume that because they are lesser known that they are also not worth your strong consideration.

On the contrary, Tamron DSLR lenses can hold their own against more prominent counterparts Canon and Nikon and have high quality lenses in every category.

Anyway, back to some of the important abbreviations you need to know but may not;

  1. SP – Super Performance (the Tamron flagship lens line – think the same concept as Canon L series)
  2. XR – Extra Refractive Glass (reduces lens size and hence weight but increases performance)
  3. Di – Digitally Integrated Design (to reduce ghosting, flare, CA and peripheral light fall-off along with improved resolution)
  4. LD – Low-Dispersion lens elements (to reduce chromatic aberration for sharper images)
  5. Aspherical – similar to the term used in Canon/Nikon – contains aspherical elements (compensates for spherical aberration and distortion, making for better performance with fewer elements (and thus allowing for smaller, lighter lenses)
  6. (IF) – Internal Focusing – intuitive.

One distinction that needs to be made with the sharpness of this lens is that while the center sharpness is impressive (especially wide open), it is prone to fall off dramatically around the edges of the frame.

Of course, the edge fall off is almost eliminated completely if you are using a 1.6x FOVCF but those full frame users, the soft corners start to become manageable at higher apertures zoomed in towards 75mm.

Unfortunately it is a literal lucky dip as to the quality of lens that you will end up getting when you buy this lens - one copy may be excellent and the next not so good.

At a glance..

  • Designed to meet performance characteristics of digital SLR cameras
  • Minimum focusing distance of 13 inches; rotation-type zoom
  • Smaller and lighter than most fast zoom lenses; weighs 18 ounces
  • Measures 2.9 inches in diameter and 3.6 inches long; 6-year warranty
  • Brand Name: Tamron
  • Model: 28-75mm Canon
  • Lens Type: Zoom lens
  • Mounting Type: Canon EF
  • Minimum Focal Range: 13 inches
  • Maximum Aperture Range: F/2.8
  • Focus Type: auto-focus, manual-focus
  • Real Angle Of View: 75
  • Weight: 18 Ounces
  • Item Display Diameter: 2.9 inches
  • Length: 4 inches

Chromatic aberration (CA) on the Tamron 28-75mm is normal for a 28-75mm lens in a sense that is not bad nor is it non-existent. However the auto focus (AF) is somewhat slower than you would expect and the lens may have trouble finding focus in low light.

On the positive side, the build quality is quite good and the zoom function works well, except that the zoom ring works in the opposition direction to Canon lenses, meaning that you might want to zoom in and zoom out by mistake until you get used to it.

The Good
  • minimal chromatic aberration
  • sound build quality and mechanical operation
  • good image sharpness overall, depending on individual lens
  • 6 year USA warranty to deal with any Tamron-Canon conflicts that may arise
The Bad
  • slow auto focus
  • poor Tamron quality control
  • some corner softness particularly on full frame bodies
  • not available to Nikon bodies
  • some stiff zoom rings, some loose – again, to do with quality control

Overall you get what you pay for with this lens. Some will find comfort in the fact that this lens is 50% cheaper or more than other premium lenses in its category. Others will find the good centre image sharpness, light weight and low minimum aperture enough to make up for the shortcomings of the 28-75mm.

Overall Rating: ★★★½☆

This lens won’t win any awards for exceptional quality but for the price it offers a lot to any photographer who can’t or won’t consider such lenses as the Canon 17-40mm or Canon 24-70mm which are better quality but on the flip side far more expensive and hefty.

The low minimum aperture of f/2.8 on a 1.6x FOVCF body of the Tamron 28-75mm eliminates most of arguably the biggest pitfall of this lens – the dramatic sharpness fall off towards the edges of the frame. It would be a great first general purpose zoom lens for someone starting out into the world of DSLR photography.